Showing posts with label Disneyland Railroad. Show all posts
Showing posts with label Disneyland Railroad. Show all posts

Friday, May 23, 2014

Engine Roster for the Thunder Mesa Mining Co.

A reader recently asked a question on Facebook about the locomotive names and numbering on Thunder Mesa and it made me realize that I have never really published a complete engine roster for the railroad. The roster has changed and evolved a bit over time and will no doubt continue to do so as new equipment comes available and the railroad continues to grow. For the most part, I name locomotives after the Disney animators or Imagineers that I most admire, or other pioneers in the world of theme park railroads such as Bud Hurlbut. Currently, there are five locomotives running on the layout with at least two more planned or under construction.

No. 1


No. 1  - Marc F. Davis


Wheel arrangement: 0-4-0
Builder: Thunder Mesa Mining Co.
Entered service: 1878
Notes: This unique vertical boiler, single piston steamer was built from the recovered wreckage of a steam launch and the 2-4-0 El Dorado. Placed into service in 1878 to help complete construction of the railroad. Named for the proprietor of the Western River Expedition Company.

Modeling notes: Scratch-built from spare parts on a Bachmann HO cable car power truck. Analog DC power. No sound. Click here for more on the Marc F. Davis.


No. 2


No. 2  - Claude Coats


Wheel arrangement: 2-4-0
Builder: H.K. Porter, Inc.
Entered service: 1879
Notes: Light duty mining locomotive named for the discoverer of Rainbow Caverns.

Modeling notes: Planned but not yet built. Inspired by Disneyland's Nature's Wonderland locomotives, the #2 will more than likely be built using a Bachmann 0-4-0 Porter with DCC and sound. Claude Coats was the brilliant Disney Imagineer who developed the lighting and water effects for Rainbow Caverns.


No. 3


No. 3  - Sam McKim


Wheel arrangement: 4-4-0
Builder: Freelanced
Entered service: 1879
Notes: General duty locomotive named for the first surveyor and cartographer of Thunder Mesa Country.

Modeling notes: Under construction. Inspired by the Santa Fe & Disneyland Railroad, #3 is a diminutive 4-4-0 that uses a Bachmann HO Richmond 4-4-0 as a starting point. Sam McKim was a first generation Imagineer and Disney artist who created the early souvenir maps of Disneyland among many other things.


No. 4


No. 4  - Earl Vilmer


Wheel arrangement: 4-4-0
Builder: Freelanced
Entered service: 1880
Notes: General duty locomotive named for the first general manager of the TMMC.

Modeling notes: Bachmann On30 inside frame 4-4-0. Inspired by the Santa Fe & Disneyland Railroad. DCC installed, sound to be added. Earl Vilmer supervised the construction and operation of both the Disneyland and Walt Disney World Railroads.


No. 5


No. 5  - Frank Thomas


Wheel arrangement: 0-4-2
Builder: H.K. Porter, Inc.
Entered service: 1881
Notes: General duty mining locomotive.

Modeling notes: Bachmann On30 0-4-2. Needs paint and decals. Inspired by Big Thunder Mountain Railroad. DCC and Tsunami sound on board. Frank Thomas was a legendary Disney animator, one of the Nine Old Men and best friends with Ollie Johnston. 


No. 6


No. 6  - Ollie Johnston


Wheel arrangement: 0-4-2
Builder: H.K. Porter, Inc.
Entered service: 1881
Notes: General duty mining locomotive.

Modeling notes: Bachmann On30 0-4-2. Inspired by Big Thunder Mountain Railroad. DCC installed.  Ollie Johnston was a legendary Disney animator, train enthusiast, one of the Nine Old Men and best friends with Frank Thomas.


No. 7


No. 7  - Bud Hurlbut


Wheel arrangement: 0-4-0
Builder: H.K. Porter, Inc.
Entered service: 1883
Notes: General duty mining locomotive named for the discoverer of the Calico Mine.

Modeling notes: Bachmann On30 0-4-0. Needs paint and decals. Inspired by Knott's Calico Mine Train. DCC and Tsunami sound on board.  Bud Hurlbut was a pioneering theme park designer best remembered for creating the Timber Mountain Log Ride and Calico Mine Train attractions at Knott's Berry Farm.


That's where the roster stands as of this writing. Will there be more? Probably. Even though the TMMC already has more locomotives than a mining railroad of its size would likely ever need, this modeler simply can't resist the temptation of a shiny new engine every now and again. Besides, there's not a single geared locomotive yet and I've always been a fan of geared steam! Stay tuned. Adios for now!

Monday, February 3, 2014

Thunder Mesa in the 2014 On30 Annual

My article in the 2014 On30 annual. © Carstens Publications

The 2014 On30 Annual is now available and I'm happy to report that my article on constructing a narrow gauge combine for Thunder Mesa is included in the issue. The combine body was built using photo-texture modeling techniques and the model is based on a Santa Fe & Disneyland Railroad prototype. Both the car and the article were a real pleasure to put together and I hope everyone picks up a copy of the latest On30 Annual at their local hobby shop. They can also be purchased online at the Carstens website.

Monday, October 7, 2013

Thunder Mesa Inspirations #2: The Disneyland Railroad

Disneyland Railroad Bicentennial Poster, created for WED by my friend Jim Michaelson, with help from Ernie Prinzhorn and Rudy Lord. © Disney


"I just want it to look like nothing else in the world... and it should be surrounded by a train."
- Walt Disney, speaking to his artists about the idea for Disneyland 

1958 Dsineyland souvenir map, drawn by Sam McKim. © Disney

1964 Disneyland souvenir map, drawn by Sam McKim. © Disney

I do not clearly remember my first visit to Disneyland, it was 1966 and I was four years old at the time. I do remember the train. It gleamed in the California sunshine, chuffing, hissing, a living, magical thing in red and green and gold, the colors of Christmas. It was love at first sight. I don't even remember for sure if we rode the train that day, but I do know that I have ridden on every single Disneyland trip since then. And there have been many. A few years ago I took my own 4 year old son for a ride on the Disneyland Railroad. It was still magic.

"Magic of the Rails" by yours truly. I painted this for the Carolwood Pacific Historical Society, a group dedicated to preserving Walt Disney's railroad legacy. © Dave Meek

The Carolwood Pacific

It's no secret that Walt Disney loved trains, particularly steam trains, and some form of miniature railroad was included from the very first in plans and drawings for Disneyland. As a young lad, he had worked on the Missouri Pacific as a news butcher, selling magazines, peanuts and candy bars to commuters. Much later, with the success of the Disney Studio and with help from studio machinist Roger Broggie, Walt built his own 1/8th scale railroad in the backyard of his home in Holmby Hills in 1950. Christened the Carolwood Pacific (for the street where the Disney's home was located, Carolwood Lane), the little railroad boasted 2,615' of track, a 46' long trestle bridge, and a 90' long tunnel under his wife's flower bed. A workshop was also built on the property in the shape of a rural barn. "Walt's Barn" became Disney's favorite retreat from studio pressures, and he spent many happy hours there tinkering away on projects. From that barn and the miniature railroad grew the idea for Disneyland.


The Carolwood Pacific no longer exists but some of its original equipment, along with Walt's Barn and Combine 101 from the Disneyland Railroad, have been preserved by the Carolwood Pacific Historical Society.

The Santa Fe & Disneyland Railroad

Construction of Walt's magical little park began in 1954, on the site of an orange grove in Anaheim, California. With the expert guidance of Roger Broggie and Earl Vilmer, the railroad was the very first attraction completed for the new park.

Disneyland, shortly after opening.


When Disneyland opened on July 17th, 1955, there were only two trains on the line: the Passenger Train, headed up by locomotive #2, the E. P. Ripley, and the Freight Train, powered by engine #1, the C. K. Holiday.

Vintage postcard of the E.P. Ripley and Passenger Train at Main Street Station. © Disney

Vintage postcard of the C.K. Holiday and Freight Train at Frontierland Station. © Disney

Both locomotives were 4-4-0 American types, built at approximately 5/8" scale and based on scaled up drawings of Walt Disney's 1/8" scale Carolwood Pacific locomotive, the Lilly Belle. Mechanically, these first two engines were nearly identical, but cosmetic details like smoke stacks, domes and headlamps, placed each in a different era. The Holiday was adorned as a locomotive of the 1880s, while the Ripley had the appearance of an early 1900s engine. Today's park visitors may be surprised to learn that in those first years of operation, the Passenger Train only stopped at Main Street, and the Freight train could only be boarded in Frontierland. There were passing sidings at each station that allowed each train to make the complete "Grand Circle Tour" before returning to its station. So the Freight would pass right by Main Street Station and the Passenger Train would take the siding at Fronteirland and keep right on going! This operating scheme didn't last very long, however, and today you can board or de-board any train at any of the four stations along the line.

© Disney

From 1955 through 1974, the Railroad was sponsored by the Atchison, Topeka and Santa Fe and both locomotives bore names in honor of that fabled line. The C. K. Holiday was named for Cyrus Kurtz Holiday, founder of the Santa Fe, while the E. P. Ripley honors a fomer president of the AT&SF, Edward Payson Ripley. In those days, all equipment on the line was lettered for the Santa Fe & Disneyland Railroad and the distinctive blue and white heralds of the Santa Fe adorned each station.

A seperate ticket was required for each Disneyland train in the early days. Note the Santa Fe & Disneyland herald. © Disney

The Grand Circle Tour

As the popularity of Disneyland grew, new locomotives and trains were added to the roster. In 1958, engine #3, the Fred Gurley entered service, and the new open-sided excursion train came on line with the opening of the Grand Canyon Diorama.

© Disney 

© Disney


The Fred Gurley is a 2-4-4T Forney type locomotive and was named after the then president of the Santa Fe in 1958.

© Disney


The following year, engine #4, the Ernest S. Marsh entered service. This engine has a 2-4-0 wheel arrangement and was named for Santa Fe's chairman of the board in 1959.

The Ernest S. Marsh at Toontown Staion. The Marsh came to Disneyland in 1959. Toontown Station opened in 1993.  © Disney

In 1966, Walt Disney expanded the Grand Canyon Diorama, adding audio-animatronic dinosaurs created by his imagineers for the Ford pavilion at the 1964 World's Fair. Sadly, the new "Primeval World" marked the end of regular use for the original yellow passenger train that had debuted with the park in 1955. Though handsomely built and period accurate, the six car train was slow to load and unload, and small windows made it difficult for guests to see the dioramas. The train was slowly fazed out of use and retired permanently in 1974. Two new, open-sided trains were brought on line in 1966. Called Holiday Green and Holiday Blue by the crews, these cars have the familiar side facing benches and striped awnings that guests see at the park today. The original Freight Train was also retrofitted in a similar style and became the train known as Holiday Red.

© Disney

Retlaw 1 was the name given to the original Passenger Train (while the Freight Train was known as Retlaw 2). Retlaw wast the name of Walt Disney's private company that owned and operated the trains and monorails at Disneyland and employed their crews. Retlaw, of course, is "Walter" spelled backwards. Most of  Retlaw 1 was sold off to private collectors. Four coaches are now owned by the Pacific Coast Railroad in Santa Margarita, California. The Retlaw 1 Combine, #101, was recently acquired by the Carolwood Foundation and is now on display near Walt's Barn in Griffith Park. Only the train's excursion car, #106, Grand Canyon, can still be seen at Disneyland. It was restored and refurbished and now rides the rails as the opulent Lilly Belle parlor car.

Ride the Disneyland Railroad!

Today, as it always has, the Disneyland Railroad serves as a living history lesson in American steam railroading. Though small in scale, the trains are still powered by authentic steam engines, providing the same nostalgic journey that Walt Disney wanted for his guests all those years ago. And now, with the passage of time, they have also become a living reminder of Disneyland's past. Much has changed at the park in the last 58 years, but Walt's trains still roll on.

And the railroad has grown. The track is longer now than it was in 1955, thanks to the addition of New Orleans Square, Critter Country and it's a small world. And just recently, a fifth locomotive has joined the roster: engine #5, the Ward Kimball.

DRR #5, the Ward Kimball

Ward was a great Disney animator and a true lover of trains, perhaps best known as the creator of Jimminy Cricket. His own 3' gauge Grizzly Flats railroad is something of a legend itself - but that might be a topic for another post.

Much, much more could be written about the Disneyland Railroad, and, in fact, has been. Much of what I know about the topic comes from Steve DeGaetano's wonderful book, Welcome Aboard the Disneyland Railroad. The book is now, sadly, out of print, but his equally marvelous book on the Ward Kimball locomotive is still available. Maybe if enough people ask, he'll do another print run, or better yet, an updated and revised edition (hint, hint).

Other great Disney Railroad resources are:
So, gentle reader, the next time you are at Disneyland (or Disney World, or Disneyland Paris, or Tokyo Disneyland), please make time to ride the railroad as you hurry on your way to Space Mountain or Pirates. Its a wonderful, living piece of Disney history and a personal connection to Walt Disney himself. And, I think, if you've read this far, that kind of thing matters to you.

As always, comments, questions and conversation are welcome.

Monday, September 16, 2013

Building Thunder Mesa Depot

Nearly all of my hobby time this past week was dedicated to scratch-building a small depot for Thunder Mesa. I described how I built the depot platform in last Monday's post, and today I'll be showing how the building itself was constructed, primarily from illustration board.

Thunder Mesa Depot - still not quite finished yet. Corner trim, a smoke-jack, platform details, more signs, and a little more light weathering are yet to be added. Also not yet installed are the LEDs for flickering lantern light effects and a digital sound system to provide looping telegraph sounds.


The design is freelanced, going for a general look of western "railroad-y-ness," but I also wanted a strong family resemblance to the Frontierland Station at Disneyland (an accurate model of this structure is planned for a later section of the layout). Last year I created a set of plans for the Frontierland Station for an N scale layout. Based on actual park blueprints and historic photos from the 1950s -'60s, the plans are as accurate as I can make them.

Plans for an N scale Frontierland Station. You can download a free PDF of this plan here.

As small as the Frontierland Station is, it's still too big (in O scale) for the location in Thunder Mesa where the depot will be located. Using strong rooflines, color scheme, and Victorian details, my depot will look like something of a little brother to this one.

A Paper Mock-Up

As usual, this structure project began with a paper and card-stock mock-up to test dimensions and clearances. I had a very solid idea in my head of what I wanted so I didn't bother drawing out a full plan.


At Disneyland, most buildings are less than full size, and the upper stories are even smaller, using a forced perspective that makes them appear charming and intimate. But forced perspective actually works in reverse when looking at a model at or near eye level. Structures will have more charm if they are built small and tall. With that in mind, a scale foot was added to the building's height based on the looks of this mock-up.

Building With Illustration Board

I chose 16ply Crescent 300 cold-pressed illustration board for this project. It has a lightly textured, off-white surface that can be scribed, painted and detailed to look like a variety of surfaces. It cuts easily with a hobby knife and results in a more organic looking finished structure than you might get using styrene. The 1/16" thickness translates to 3 scale inches in O scale.

The four walls were laid out on the illustration board in pencil and then cut out with a #11 X-acto knife. Window and door openings were cut out based on the Grandt Line castings that will be used, and board lines were scribed into the surface of the illustration board. Lastly, nail holes were pressed in using a steal T-pin.

A thin, warm grey wash of Burnt Sienna mixed with a few drops of Ultramarine was brushed on to bring out the board and nail hole detail. All paints used on this project are Golden Acrylic Airbrush colors. Plastic and styrene parts were primed with a spray enamel primer before final painting.

Titanium White was mixed with a few drops of Raw Sienna to make a nice ivory color for the walls and this was applied with an airbrush. Once dry, a few boards were picked out and "aged" with a very light wash of the Burnt Sienna and Ultramarine mixture. 

Wainscoting and trim was created from Bristol board, painted green, and then laminated to the walls using 3M 45 General Purpose Spray Adhesive.

Walls during assembly. The fancy Victorian roof gable is a Grandt Line casting. The roof pitch was created to match this casting.

Interior walls were cut from illustration board, scribed, painted and laminated into place using 3M spray adhesive. The interior walls are trimmed 1/16" narrower on each side than the exterior walls. This creates an L shaped locking edge when the walls are put together that prevents light leaks and makes for a very sturdy structure. Walls created in this way have equal stress front and back and almost never warp. The finished walls are 6" thick in O scale, very close to prototype thickness for a wood frame building like this.

Grandt Line door frames and windows were cemented into place using ACC and the windows glazed with clear acrylic. The floor is scribed basswood laminated to illustration board. 

The walls were cemented together into two separate L shaped sub-assemblies. This makes it easy to visualize the completed structure while still allowing for interior detailing.

The detailed interior. The trophy buck is from a Woodland Scenics deer. The window shades are printer paper stained with a Minwax Golden Oak marker.

I decided to model the doors open to give a better view of the interior. The wall clock is painted illustration board salvaged from an old model. A potbellied stove is yet to be installed in the lefthand corner.

Still in two sub-assemblies. The ticket desk was built from scrap strip-wood and stained with Minwax Golden Oak. The chalkboard timetable is from Main Street Station at Walt Disney World. All of the signs and posters were scaled in Photoshop and printed out on HP Inkjet Presentation Paper. The dark brown "cupboard" at left will be a conduit for the sound and lighting wiring.

The roof was created in much the same way as the walls, with an inner and outer layer of illustration board painted, scribed and laminated together. Roof end pieces were cut to shape to act as trim and also to hold the shape of the roof during assembly.  

Laser cut paper shingles from Wild West Scale Models were applied using Aleene's Tacky Glue. The ridge-top ginger bread is another Grandt Line casting. 

The cozy covered waiting area was detailed with porch posts, railing, corbels and spool trim from Grandt Line. Sharp eyed Disney fans might notice a familiar poster left of the window.


Okay! It's been a whirlwind of modeling activity lately and I'm looking forward to finishing the depot in the coming week, adding loads of details, flickering LED lantern light and digital sound. Thanks for stopping in!

Almost ready for the trains to arrive!

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